Structure that holds the composition together. Of the type from word to word or line to line without having a sense of This happens when you start changing the size, style, spacing, and/or orientation The most common problem students encounter with this project Type: Adobe Garamond Regular, Adobe Garamond Expert (will be provided*) Quote adapted from Walter Ong, Orality and Literacy: The Technologizing of the Word (London and New York: Methuen, 1982).Ģ. This is an insistent world of cold, non-human, facts. Typographic control typically impresses most by its tidiness and invisibility: the lines perfectly regular, all justified on the right side, everything coming out even visually, and without the aid of guidelines or ruled borders that often occur in manuscripts. In handwriting, control of space tends to be ornamental, ornate, as in calligraphy. Printed texts look machine-made, as they are.
Control of position is everything in print. Writing moves words from the sound world to a world of visual space, but print locks words into position in this space. Print situates words in space more relentlessly than writing ever did. Be sure to have a concept in mind as you work.
You may break the paragraph into smaller elements and distribute them within the square. Use Adobe Garamond and Adobe Garamond Expert only.* Use variations in alignment, leading, line length, orientation, and spacing. Compose the text provided below in a manner that expresses its meaning. Work on your word representation if you have not finished it.Ģ.
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